Dead Accounts
- Theresa Rebeck's you can/can't go home agan tragi-comedy is
likely to make you wish Graeter's would open an ice cream
chain in Manhattan. . . .
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My Name is Asher Lev
-
You don't have to be Jewish to relate to Asher Le's conflict of
reconciling his allegiance to and comfort in his ultra
orthodox upbringing and his need to fulfill his extraordinary
gift as an artist. . . .
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The Velveteen Rabbit
- it’s a pleasure to see a show which manages to be both warm and
wise. Or, as my daughter put it after meeting the three characters
after the show: “Daddy, I really liked this. Can I see them again
tomorrow?” . . .
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The Outgoing Tide
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Bruce Graham’s play insists that we face an end-of-life decision, not
by squirming or turning away, but by laughing and only occasionally
coming close to tears. . . .
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Scandalous - A flat-footed Evangelical bio-musical that's unlikely to convert anyone . . .
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Inner Voices - 3 solo musicals . . .
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A Christmas Story, the Musical - The musical/ based on the Jean Shepherd stories is dated, delightful fun . . .
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Forever Dusty - a tuneful bio-musical about British born 1950s to 1960s Soul singer at New World Stages,
. . .
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The Twenty-Seventh Man
- The short story that launched Englander as one of
contemporary literature's best short story writers, and his
adaptation now marks a promising debut as a playwright.
Extended to 12/16 . . .
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